showing 89 results matching creditline:"Gift of Elizabeth and Willard Clark"

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round bronze disk mounted to wood; raised figure seated on lotus at center, with PR hand resting in lap, and PL hand at heart clutching delicate metal flowers; elaborate golden filigree behind figure; tall urns with delicate wire and bounded metal lotus leaves on either side of figure; thin metal "awning" above figure with lotus detail and hanging charms; lion head with claws on either side of top; border with round studs

Kakebotoke, 14th century

Unknown Japanese

G220

image of a green, blue and brown bird on a branch preening its wing; gold frame with glass

Indian Roller on Sandalwood Branch, 1779

Sheikh Zain al-Din

G211

a man in bight green outer robe crouches and peers through a slatted window; inside (at left), a woman in white kimono with black decoration scoops rice into a bowl from a large vat; above is a rooftop and the moon

Woman of Takayasu, from the Tales of Ise, early 19th century

Sakai Hōitsu

Not on View
boy at L, holding switch in one hand, tugs on rope attached to ox's nose, at R; ox looking towards boy but does not appear to be moving; standing on embankment

Ox and Herdboy, 16th-18th century

Unknown , Japanese; Inscriber: Inscription attributed to Nankō Sōgen

Not on View
two small birds perched on a sloping bank tinged with green; large, rolling waves crashing into rocks at shore; formation of smaller birds at top curve downward towards water

Plovers, Rocks, and Waves, first half 19th century

Suzuki Kiitsu

Not on View
image of a blue bird with long neck and legs facing left

Grey Heron, c. 1780-1782

Ram Das

Not on View
concave petal-like light blue form with inward curving edges; mounts horizontally onto wooden block base

%C2%A9 Fukami Sueharu

Windy Seascape, 2001

Fukami Sueharu

Not on View
shallow bowl with two nearly intersecting thin raised lines; another raised line on the outer side

%C2%A9 Fukami Sueharu

Becoming Clear, 1979

Fukami Sueharu

Not on View
monkeys perched on, or climbing upon, the snow-covered branches of a large pine tree; trunk extends diagonally L of center of screens

Monkeys in Pine Trees, 1853

Kishi Renzan

Not on View
light blue form with "ripped" texture along one end; form tapers, becoming flatter, breaking into two points with elevated ripple

%C2%A9 Fukami Sueharu

Current II, 1978

Fukami Sueharu

Not on View
abstracted diamond shaped, finlike form with concave side planes; graceful points; mounts to angled wooden block with wood-capped screw

%C2%A9 Fukami Sueharu

Image of the Mind 'Clarity', 2001

Fukami Sueharu

Not on View
tall pillar-like form with brown and tan mottled coloring; irregular cluster of newsprint-impressed clay forms emerging from top of pillar

%C2%A9 Fukami Sueharu

Information Pillar, 1973

Fukami Sueharu

Not on View
brown and white bird wading through shallow water indicated by a few light blue strokes; thin wispy reeds behind tall at R, and at LL; inscription near top

Waterbird and Grass, early 19th century

Sakai Hōitsu

Not on View
vertically oriented rectangular object that gently flares towards top; vertical fluting; wavy edge at top with fluting; attaches to separate base

%C2%A9 Fukami Sueharu

Pure, 1993

Fukami Sueharu

Not on View
large celadon colored cylinder with "crease" inside; rests on its side between two triangular wooden blocks; cone shaped porcelain tip screws into base of cylinder

%C2%A9 Fukami Sueharu

Midair V–1, 2003

Fukami Sueharu

Not on View
horizontal blade-shaped form attached to square wooden base at bottom center; form is thicker along one edge, becoming thinner as it flares outward

%C2%A9 Fukami Sueharu

Heaven, 1986

Fukami Sueharu

Not on View
warped square-shaped figure with pale bluish glaze (seihakuji); raised lines on surface resembling ripples on surface of water

%C2%A9 Fukami Sueharu

Dances with Waves, 1977

Fukami Sueharu

Not on View
open top upside down conical shape of pale blue porcelain that tapers to tip that is covered in gold colored metal; screws into flat conical stainless steel piece; centered on flat stainless steel plate base

%C2%A9 Fukami Sueharu

Firmament, 2005

Fukami Sueharu

Not on View
thick, round basket; thick handle of bent bamboo with two tiny branches on one end; thick crisscrossing weave pattern; copper lined bamboo cylinder

Crouching Tiger, early 20th century

Tanabe Chikuunsai

Not on View
fin-shaped figure with pointed ends; one end is higher, tapering to the end; rests on a wooden block; pale blue-green glaze (seihakuji)

%C2%A9 Fukami Sueharu

To the Other, 1990

Fukami Sueharu

Not on View
bulbous, closely woven flower basket; center decorative band of open weaving in grid like pattern; bottom and top bands of open weave in crisscross pattern; tall handle with square-patterned weave that ends in two-pronged forks in basket interior; center lacquered bamboo cylinder

Yūdon-style flower basket, early 20th century

Tanabe Chikuunsai

Not on View
cropped frontal view of tiger looking at viewer with two upward slanted green eyes with pupils like claws; furrowed brow; partially opened lips; front legs depicted side by side, with black and orange tail crossed over front feet; highly detailed with fine painted fur

Tiger, c. 1892

Kunii Ōyō

Not on View
large green and gray lotus leaves at bottom blowing in the wind; closed pink blossom amid foliage; two gray lotus leaves in UL with windblown white blossom losing its petals; sheets of gray rain

Lotus in the Rain, 1832

Matsumura Keibun

Not on View
pale bluish glaze (seihaku); rectangular "bundle" form with rounded edges; slit with peak at top; form mimics a rectangular package bundled in cloth with knot at top

%C2%A9 Fukami Sueharu

Wrapped, 1977

Fukami Sueharu

Not on View
irregular vertical slab shape with two sharp points at top; wrinkled and folded effect along sides; slight opening at top; wide base flattens and flares outward toward top; attaches to wooden base with beveled edges

%C2%A9 Fukami Sueharu

Wind, 1980

Fukami Sueharu

Not on View
white bird with long, elegant tail and green head splashing in water at R; larger bird with green, white, and brown feathers perched on rock covered with pink roses at L

Long-tailed Birds and Roses, late 18th century

Sō Shiseki

Not on View
male figure seated at desk in front of window looking outside; man's PR eye is shut or missing; snow-covered trees and fence outside; three samurai gathered outside behind fence, outside of view; fourth figure in yellow enters gate at L

Takeda Shingen Visits in the Snow, late 19th century

Haneda Gesshū

Not on View
rectangular porcelain form with pale blue-green glaze; mounted to gently sloping metal "fin" at top

%C2%A9 Fukami Sueharu

Time of Quiet, 1990

Fukami Sueharu

Not on View
large moon behind waves at bottom; some splatters of white paint near waves to show spray; at top, sky-blue color around center right behind the moon and top large wave; color gradually turns into ochre at top

Moon and Waves, first half 19th century

Suzuki Kiitsu

Not on View
two irregular vertically oriented slabs, interlocking at sides, with flared base; blue honeycomb pattern with blue and white vignettes

%C2%A9 Fukami Sueharu

Form with Blue Pattern on White Ground, 1972

Fukami Sueharu

Not on View
image of a black and white bird perched on a branch with orange fruit and two insects; brown frame with gold accent

Oriental Magpie Robin with Katydid and Leaf Hopper on Monkey Jack Branch, 1778

Sheikh Zain al-Din

Not on View
open, star-shaped weave with three bands of wider slats through center; four cornered basket with wide, round opening at top; round top wider than square bottom; gracefully curving handle peaks steeply at top; one end of handle is made from a forked, bent bamboo branch and supported by an arching bamboo twig; the other side is supported by a piece of curved bamboo that is wrapped in decorative woven rattan; inner bamboo cylinder with copper lining

Backpack-shaped flower basket, early 20th century

Tanabe Chikuunsai

Not on View
rectangular form with gentle concave edges; top edge beveled; triangular cutout at bottom center with flared lip; mounted to rectangular wooden base with beveled edges

%C2%A9 Fukami Sueharu

View 'Transgression', 1997

Fukami Sueharu

Not on View
figure seated cross legged with hands upturned in lap, folds of garment flowing over legs; elaborate metal necklace with many low hanging pendants; base is intricately carved with open lotus flower on top of demon creature

Miroku, the Bodhisattva of the Future, second half 13th century

Unknown Japanese

Not on View
color album of demons depicted somewhat humorously engaging in human activities: serving tea, studying, smoking, traveling, grooming, and playing; brown brocade cover with case

Hell at Leisure, early 20th century

Koga Harue

Not on View
low rectangular form with deep ripples and raised wavy lines

%C2%A9 Fukami Sueharu

Distant Ocean, 1976

Fukami Sueharu

Not on View
horizontally oriented rectangular form resembling a wave; wider, wedge like base at LLQ, and small, flared point URC; vertical fluting on front side; mounts onto rectangular piece of wood with three raised triangular rests; mounting hardware included

%C2%A9 Fukami Sueharu

View of Distant Hope: 'Streaks', 2000

Fukami Sueharu

Not on View
landscape with rocky banks and trees; mountain with waterfall in background; two figures facing one another L of center near waterfall in small clearing in trees; boat near bank at lower center

Chinese Scholars in Mountain Landscape, mid 19th century

Suzuki Gako

Not on View
round, tire-like form tapering towards bottom; indented top with small, shallow mouth at center; deeply incised lines swirl down top sides; light green glaze with pooling at top center and incised lines

%C2%A9 Fukami Sueharu

Current, 1968

Fukami Sueharu

Not on View
egg-shaped white vessel with flat, uneven top; horizontal slit across top with uneven lips; bulge on both sides near center with network of cracks highlighted in gray

%C2%A9 Fukami Sueharu

Growing Up, 1972

Fukami Sueharu

Not on View
diamond-shaped basket with wider base; tiny, intricate weave patterns alternating between open and closed weave; small decorative coils and knots on some patterns; tall handle with ring at center of either side just above basket lip; black lacquered copper lined cylinder

Chinese-style flower basket, late 19th century

Morita Chikuami

Not on View
triangular, pouch-shaped basket with rounded corners; closed weave; dark coloring; hook on back for hanging

%C2%A9 Tanabe Chikuunsai II

Hanging Flower Basket, c. 1935-1945

Tanabe Chikuunsai II

Not on View
horizontally oriented black rectangular basket; raised round mouth; black lacquered copper lined cylinder

Horizontal Tubular Basket, early 20th century

Shōseki

Not on View
inverted white gyrfalcon at UR dives down vertically towards center; white egret landing near bottom center towards bamboo at LL lightly covered in snow

Gyrfalcon Hunting an Egret in Snow, early 18th century

Ohara Keizan

Not on View
hollyhock stem with white blossoms and a few unopened buds at top; a few dark blue flowers with red centers peek out from vine winding around the hollyhock

Hollyhocks, first half 19th century

Sakai Ōho

Not on View
horizontal, blade-shaped form; indented ripples top center, and larger indented ripples bottom center; mounted to light wooden base

%C2%A9 Fukami Sueharu

Seascape, 1980

Fukami Sueharu

Not on View
woven oval form basket with raised bamboo handle with crook in it; a few thin braided strands placed irregularly; inset container: bamboo cylinder lined with copper with fluted sides that sits inside basket to hold flowers

Longevity Mountain, March 1932

Tanabe Chikuunsai

Not on View
round, closely woven horizontal chevron pattern; widening from base, narrowing slightly at top; bulbous shape; diamond pattern on bottom of interior; top lip of basket decorated with bamboo wound with decorative rosette rattan knots; handle is made of three bent pieces of bamboo secured together with two bands on either side, and three decorative knots at top; anchored by woven arches, forming four prongs on side; inner cylinder is large bamboo stained reddish brown with copper lining

Woven banana leaf yūdon-style flower basket, early 20th century

Tanabe Chikuunsai

Not on View
wavy, warped porcelain form resembling a wave; shallow, raised waving lines on surface give illusion of gentle ripples

%C2%A9 Fukami Sueharu

Beyond the Distant Ocean Waves, 1977

Fukami Sueharu

Not on View
square basket with rounded corners; square opening at top center with smaller square opening visible through bottom center; bamboo cylinder for flowers

%C2%A9 Tanioka Shigeo

Flower Basket, 2003

Tanioka Shigeo

Not on View
triangular scoop-like form; form rests on one tall foot of polished wood and slopes down into a wide base; open horizontal weave

%C2%A9 Tanioka Shigeo

Asuka, 2002

Tanioka Shigeo

Not on View
6-armed, 6-legged, six-headed figure with dark skin standing on stampeding bull; drawing bow and arrow with two hands, while the other hands hold various other weapons; both figure and bull wear decorations.

Daiitoku Myōō, the Wisdom King of Awe-Inspiring Power, 15th century

Unknown Japanese

Not on View
hell scene: large, red horned figure in lower center poking at large cauldron with people in boiling water; large flames lick sides of cauldron; large figure in black robes at center tossing man; red skinned figure behind desk with book pointing with PR hand; emaciated human figures ULQ seated near rice bowls on fire; emaciated humans in white near small hut lower quadrant; crawling naked children lower center; many other torture scenes

Scenes of Hell, 1819, 4th lunar month

Kano Tōhaku Norinobu

Not on View
green gourds growing from vine descending from UR; long, green fruits with big leaves, many with brown parts and round, brown insect holes; critters climbing on plant, including snail, mantis, caterpillar, grasshopper, and frog; butterfly approaching from L

Mantis and Butterfly on Sponge Gourd, 1857

Nakabayashi Chikkei

Not on View
gnarled pine tree with a small waterfall at right; black ink and wash with "clouds" of gold spots

Three Friends of Winter [right of a pair], first half of 19th century

Yamamoto Baiitsu

Not on View
gnarled plum branches with blossoms; black in and wash with "clouds" of gold spots

Three Friends of Winter [left of a pair], first half of 19th century

Yamamoto Baiitsu

Not on View
battle scene at sea and on land

The Battle of Ichinotani [right of a pair of Scenes from the Tale of the Heike], mid 17th century

Kano School

Not on View
battle scene on land and sea with energy of battle building as the panels progress

The Battle of Yashima [left of a pair of Scenes from the Tale of the Heike], mid 17th century

Kano School

Not on View
very tall, graceful form; five edges rising from a narrow bottom into a single, beveled point at top; mounts by a metal post to a marble slab; light blue/green color (seihakuji); marble has a polished top with rugged edges

%C2%A9 Fukami Sueharu

Rise, 2005

Fukami Sueharu

Not on View
image of a tan, black and grey bird perched on a branch that has round leaves with two yellow moths and a green caterpillar; wood frame with gold along outer edge and white along inside edge

Brahminy Starling with Two Antheraea Moths, Caterpillar, and Cocoon on Indian Jujube Tree, 1777

Sheikh Zain al-Din

Not on View
image of a black bird with white belly on a branch with two round fruits and a yellow moth; gold frame

Red-whiskered Bulbul and Aganais Ficus Moth on Kadamba Branch, 1777

Sheikh Zain al-Din

Not on View
image of a yellow and black bird with red eyes perched on a branch attached to a stump with a bug on it; wood frame with gold face

Black-hooded Oriole and Insect on Jackfruit Stump, 1778

Sheikh Zain al-Din

Not on View
image of a tan, black and grey bird with beak open and feathers ruffled, perched on a branch; wood frame with a gold face

Brahminy Starling on Neem Tree Branch, 1780

Sheikh Zain al-Din

Not on View
image of a brown bird perched on a branch that has long oval leaves; thin gold frame

Hwamei on Terminalia Branch, 1780

Sheikh Zain al-Din

Not on View
image of a branch with foliage; wood frame with a gold face

Crepe Ginger Plant, c. 1780

Sheikh Zain al-Din

Not on View
image of a brown and tan pelican; frame is black with gold inset

Spotbilled Pelican, c. 1780-1782

Ram Das

Not on View
image of a brown and black bird sitting on a branch looking at a caterpillar; dark brown and gold frame with glass

Rufous Treepie and Caterpillar on Branch, 1777

Sheikh Zain al-Din

Not on View
accordian volume with grey cover and silver detail; inside contains colorful woodblock prints

Worlds of Things (Momoyogusa), vol.1, May 1909

Kamisaka Sekka

Not on View
grey accordion bound album with silver painted detail; label with gold flecks and Japanese inscription center of front cover; contains colorful woodblock prints

Worlds of Things (Momoyogusa), vol.2, December 1909

Kamisaka Sekka

Not on View
grey accordion bound album with silver painted detail; label with gold flecks and Japanese inscription center of front cover; contains colorful woodblock prints

Worlds of Things (Momoyogusa), vol. 3, January 1910

Kamisaka Sekka

Not on View
a: round iron vessel with semi-circular handles hanging on each side; bird in open circle below one handle and standing creature with shovel (?) in open circle below other handle; openings cut out in organic shaped designs on body; L-shaped hooks attached to each side to hold open doors; wing-shaped doors below that lift upwards, attached with two hinges; incised decoration on each door; solid bottom inside that is raised from very bottom with openwork around base in oval forms with points at top of each; b: brass insert with wing-shaped opening on each side; c, d: open brass handles

Hanging lantern, 8th century

Unknown Japanese

Not on View
six panel screen, left group; large, swirling waves crashing against jagged rock formations in foreground; crane at UL swoops away from crest of wave; crane near top center swooping downard towards waves; crane standing at R on rock watching waves, swelling sea in background

Cranes and Waves [left of a pair], 1760s

Soga Shōhaku

Not on View
six panel screen, right screen; adult crane at L stands with wings spread facing two baby cranes who look up with beaks open and wings spread; a third baby crane pecks at the ground at center; two cranes, one black, one white peck at the ground at center; at right, two more cranes stand among an area of foliage; hints of landscape/seascape in background

Cranes and Waves [right of a pair], 1760s

Soga Shōhaku

Not on View
dark gray mountains with silhouetted pine trees near top; shadowy portion of larger mountain cut off at R

Mountains [center from the triptych Three Evening Scenes], first half 19th century

Suzuki Kiitsu

Not on View
two small huts with thatched roofs close together on small peninsula R of center

Huts [right from the triptych Three Evening Scenes], first half 19th century

Suzuki Kiitsu

Not on View
brown bird flying over sandy beach and calm water; cluster of grasses LL

Snipes [left from the triptych Three Evening Scenes], first half 19th century

Suzuki Kiitsu

Not on View
iris plant with two blue blossoms, and a third blue bud growing along a swirling stream; foliage has mottled appearance; winding stream along LL and bottom edge

Blue Iris, early 19th century

Nakamura Hōchū

Not on View
pink demon figure wearing tiger skin loin cloth viewed from behind; PR ankle of demon in the claw of a crab emerging from the water at bottom; demon has bar bell shaped object in PR hand; three red cylinders in the air

God of Thunder captured by a crab [right of the pair Gods of Wind and Thunder], mid 19th century

Satake Eikai

Not on View
grey and white bird carrying demon-like figure in its talons

God of Wind caught by a hawk [left of the pair Gods of Wind and Thunder], mid 19th century

Satake Eikai

Not on View
dark interior filled with many demon figures doing various things; large figure on R leans back and observes; colors are browns, pale green, pale blue, red

Shōki and Demons, late 19th century

Aoki Toshio

Not on View
12-sided cylinder with thin crisscrossing strips of shell; gold flecks at top center

Tea caddy with stripe motif, 2009

Yamamura Shinya

Not on View
six sided tightly woven basket with raised rectangular handle; inner cylindrical water jar

Six-sided flower basket with handle, c. 1927 - 1934

Iizuka Rōkansai

Not on View
delicate gray spider web in upper quadrant with fat gray spider at bottom suspended from thin web

Spider and Web, early 19th century

Maruyama Ōshin

Not on View
a: three "wave" forms that create "S" shapes in black, gold and bronze b: two "wave" froms that create "S" shapes in black and silver/green

%C2%A9 Sakurako Matsushima

Elements II, 2012

Matsushima Sakurako

Not on View
large biomorphic red lacquer form; one rounded anatomical end; opposite end resembles samurai helmet with deep fluting that converges to inverted point

%C2%A9 Sasai Fumie

Substantial Fruit, 2014

Sasai Fumie

Not on View
round form with three lines that double back on themselves in "S" shapes; bronze, gold and black with square shell inlay; round form is brown with a wood texture

%C2%A9 Sakurako Matsushima

Undercurrents 2009-II, 2009

Matsushima Sakurako

Not on View
dark brown wood texture spiral form; wide on one end and pointed on the other

%C2%A9 Sakurako Matsushima

Spiraled IV, 2011

Matsushima Sakurako

Not on View

Sunset Glow, 2003

Katsushiro Sōho

Not on View

Windy Seascape II, 2005

Fukami Sueharu

Not on View

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